According to Wikipedia:
Michael Hainsworth is a Toronto-based broadcaster, technology enthusiast, amateur photographer, and secret agent.
Michael Hainsworth is the chief business reporter for CTV Toronto and affiliates across the country and anchors Market Call, the most popular show on Canada’s financial news network, Business News Network (formerly Report on Business Television). He also files business reports for Toronto all-news channel CablePulse24, its sister radio station CP24 Radio 1050, and national cable news network CTV NewsNet. His reports are seen by 2.2M Canadians each weeknight.
A veteran Toronto broadcaster, Michael got his start in radio at Mix 99.9 in 1988 producing overnight music and current affairs shows while still in high school. Hainsworth’s 11 years in radio include 6 at the all news station 680 News. During his tenure as a reporter for the station, Hainsworth won awards, including the 1998 Best Spot News award from Toronto Police for his breaking news coverage of the crash of the RAF Nimrod during the Canadian International Airshow. He later went on to anchor afternoon drive before moving to the business desk.
In 2000, Hainsworth moved to television, taking a position in the nascent ROBTv/BNN.
Hainsworth frequently refers to himself on-air as a “computer geek” and maintains a technology and human interest oriented blog at http://www.hainsworth.com that features stories often covered for the networks. Hainsworth also used to operate a Mac-oriented FirstClass Bulletin Board System (BBS) called “Sanctuary”.
He is an honours graduate of the radio program at Humber College. Hainsworth is grandson of former mayor of Toronto Fred Beavis.
Source: Wikipedia.org
Still Photography Portfolio (1998 to Present)
I credit my father for my love of photography. He’s been a shutterbug for as long as I can remember.
I got my first camera, a Pentax 1000 as a gift on my 16th birthday and imagined myself running through the streets of Beruit, gun fire all around me. Fortunately I chose a profession less likely to get my ass shot off, and have retained my Amateur Status ever since.
I really didn’t start retaining my work until I went digital in 1998 with a 1.2 megapixel Kodak DC210+. What follows is a handful of images using various techniques including fill-flash, High Dynamic Range photography and Tilt-Shift.
